Working with an inter-disciplinary approach to my arts practice, I cross between installation, performance and collaboration, yet the underlying method is always drawing. I love to use process driven, laborious techniques - like cyanotype - and experiment with a variety of up-cycled textiles.

My motivation to make work comes from a curiosity about the human condition. I find life just so absurd at times. The expectations, performed duties, constructed narratives and cultural stigmas. I use drawing to question the inherent implications of moral, ethics, gender and class politics that are present when the body is thrown into any subject matter.

I am based in Meanjin/Brisbane, Australia.